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WRSU’s Interview with VHS Collection at Governors Ball 2018

Declan Intindola / Photo Editor, The Daily Targum

WRSU’s General Manager Dante Intindola sat down to chat with the New York City based music project, VHS Collection, at Governors Ball 2018 in New York City, after their performance.

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WRSU’s Interview with Confidence Man at Governors Ball 2018

Declan Intindola / Photo Editor, The Daily Targum


WRSU’s Bri Born sat down to chat with the electronic dance duo, Confidence Man, at Governors Ball 2018 in New York City, after their performance Sunday Morning. The band discussed their outrageous dance moves, how they met, and upcoming projects.

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WRSU’s Interview with The Regrettes at Governors Ball 2018

Declan Intindola / Photo Editor, The Daily Targum

WRSU’s Bri Born sat down to chat with the punk rock band, The Regrettes, at Governors Ball 2018 in New York City, after their performance. The band discussed their onstage presence, personal music picks, and more.
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WRSU’s Interview with Mikky Ekko at Governors Ball 2018

WRSU’s General Manager Dante Intindola sat down to chat with singer Mikky Ekko at Governors Ball 2018 in New York City in advance of his performance.


Declan Intindola / Photo Editor, The Daily Targum

DI: How do you like this festival so far?

ME: I’ve been here for approximately 47 minutes and counting, and so far, so good.

DI: Have you been to Gov Ball before?

ME: This is my first time, actually.

DI: How are you going to set the stage for the whole day tomorrow, you’re on first.

ME: A lot of energy, we’ll be in the crowd. I mean, for me, if I’m the opener, the way I like to see that: I’m there to open people up, so I gotta get people ready and bring it for the rest of the day. That’s the way I view that.

DI: So, you worked with Rihanna, and that got you a ton of visibility. Then you had a lot of individual success. What’s life in the studio for you like right now?

ME: Life in the studio for me right now is almost nonexistent because we’re doing a lot of touring right now– really, really heavy touring. But I will be back in July and August going into a headline tour this fall. When I’m there, honestly, it’s like I got a s***load of toys. I mean, it’s really just get back and experiment. I’ve got some new tracks I’m working on, but I bring in a lot of friends and a lot of other artists just to come hang and play for the day and drink and do whatever until you kinda find that rhythm, you know?

DI: What’s your favorite thing about living and working in Nashville?

ME: Oh, God, Nashville’s the best! My favorite thing about Nashville is the people, first and foremost. I think that’s why so many people move to Nashville. What I tell everybody I meet, if you come to Nashville for a week, and you hang with me for three nights, by the fourth night my work will be done, because I’ll be like “Hey, what you up to?” And you won’t be texting me back because you’ll be having dinner with all my friends. You’ll already have that scheduled for the rest of the week. It’s literally like that!

DI: That sounds like a great way to live.

ME: It is a great way to live.

DI: Not many guys like you working with hip-hop artists have a gospel background. How has that shaped you musically?

ME: I think growing up in the church, you learn a reverence for music, and learn how to appreciate community. Regardless of what you believe or if you’re religious or not, what’s interesting about that kind of community is there’s something about music like that that’s asking you to say something important. Which, I think translates into a lot of what I write lyrically, because I’m not writing that kind of stuff. I think what I learned from my time in that community was you want to say something that makes people feel something. Because, when people are all there really having a moment, there’s something special about that.

DI: I agree, the feeling of being in a church and having really good music hit you when you’re getting a really good message, that translates well to the general public. It’s a good type of mindset to be in. Small world, it turns out Clams Casino is from my town and went to my high school.

ME: No way! He’s amazing. He’s one of the most down-to-earth human beings you’ll ever meet. The very first time, I was like “Damn, this motherf***er’s music is really cool.” When he put out the Rainforest EP, there was stuff before that even, but that was the first s*** I really dug into, and like Gorilla on that one always stuck with me. When we were meeting for the first time, I was really nervous that he might just be like immediately like, “this dude is not cool”. What I enjoy about being in the room with people is, you get to know their true selves within about the first ten seconds. Within the first ten seconds, I was like, “This dude is amazing”. He’s like so down-to-earth, super humble, really chill. He’ll just be slightly bobbing his head to the craziest beats I’ve ever heard.

DI: Was it tough at first to work as a singer with hip-hop people?

ME: What I think was interesting about that whole situation was the amount of time that i was able to spend with Clams. I’ve got a lot of old instrumentals that I’ve done, that’s very similar to what Clams does– in a way that’s very DIY and backwards and “wrong”. But you don’t know it’s wrong until you learn how to do stuff the right way. Then, you basically wind up saying, “thank God I know how to do it the wrong way”, because I don’t know how I would sound like myself if I didn’t know how to do it that way. So, my big thing with Clams has always been, as a vocalist and as somebody who like maybe their songs are slightly more traditionally formatted than hip-hop,  was just looking for a way to combine our powers to create something that’s accessible in a different way than hip-hop is.

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“Sudzin Country” co-host Ted Kaldis passes away

The entirely WRSU family is mourning the death this week of long-time “Sudzin Country” collaborator and co-host Ted Kaldis, who passed away Sunday morning, June 10th, at the age of 65.

“Sudzin Country” DJ Ted Kaldis, who passed away June 10 at the age of 65.

Ted had been a host of “Sudzin Country” – the acclaimed country music program which airs Saturday and Sunday mornings on WRSU – for 20 years, according to show founder Herb Sudzin.  “He was a major part of my show and behind the scenes, said Herb.  “He loved the music, ‘Sudzin Country,’ and being part of the WRSU family.”

“Ted’s fingerprints are all over the show,” Herb adds.  “He’s the one that got me on the computer.  If it wasn’t for him, I’d still be playing records.”

“Ted was a big-hearted and generous man.  If a friend, or even a friend of a friend, needed something, he’d drop what he was doing and would be right there.  He was slow to anger and quick to forgive.  You never had to worry about him remembering an offense; he forgot it as soon as it was over,” said Herb.

“He was very gregarious and loved to talk.  During his frequent cross-country road trips, it could take

“Sudzin Country” hosts and co-hosts, from l. to r., Dan Tolliver, Elizabeth, Herb Sudzin, Pauline, and Ted Kaldis, at the WRSU 70th Anniversary Banquet this April.

up to an hour to fill up his tank with gas because of the conversations he got into with the other travelers there.” 

Another “Sudzin Country” contributor, Dan Tolliver, said, “Although his influence will continue to be felt for years to come, he will be greatly missed by all of us who have anything to do with the show.”


Jake Miller Interview with WRSU

Source: @JakeMiller on Instagram

Pop artist, Jake Miller, sat down with us before his sold-out show at Gramercy Theater on May 20th, on the “Hit and Run Tour.” During the interview, we discussed the inspiration behind his newest album, Silver Lining, the progression of his sound, and his experience as an independent artist.
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Jackie Daytona Interview


On May 1st, 2018, WRSU’s Bri Born interviewed Jackie Daytona, the bassist/vocalist behind the debut album, She’s So Hot. The duo behind the record includes Jackie and his longtime creative partner & drummer, Justin Robinson. During the interview, Jackie discussed everything from the recording process, to his plans for the future and favorite books.

You can check out the interview and more content from Jackie Daytona below.
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WRSU’s Interview with Three Date Theory

Not only does the pop-punk band, Three Date Theory, come from New Jersey, but one of them actually went to Rutgers! That member is their drummer, Matt, who was also able to stop by at the station for a little while on April 30th, 2018. During the interview, we covered everything from the band’s origins, to new music, to the addition of their newest member, Jordan. You can listen to the interview, hosted by WRSU’s Bri Born, below.

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“Weird Al” Concert Review

If someone in 1988 had been asked the question “which of the following things would be thriving in the year 2018: newspapers, the recording industry, the Soviet Union—or “Weird Al” Yankovic”, which seems the least likely? Comedian and opener Emo Phillips posed the following question to the packed room of the Apollo Theatre on March 23rd to thunderous applause and laughter. The irony was not lost on the audience. Indeed, searching through the faces on what was the second night of “Weird Al’s” two night stint at the Apollo, no clear demographic seemed to be defined. Children as young as five sat next to fifty year old men and thirty two year old women alike. Similarly, a 19 year old college student thunderously hollered and screamed, despite a sore throat, as “Weird Al” finally graced the stage at 9:00 that night.  

“Weird Al” Yankovic is an anomaly of pop culture. A fluke comedy single for him in 1984, bloomed into platinum album after platinum album, grammys galore, a feature length film, an illustrious voice acting career, and ubiquity as the parody king of America. Indeed, while all other 80s juggernauts have fizzled with age or struggled to maintain a footing in the minds of a new generation, “Weird Al” has only been on the rise since his burst into the mainstream 34 years ago. A lesser artist would use this unprecedented longevity to push new material down the throats of their audience or to bask in the success of their previously established hits. “Weird Al” is not one of these artists however.

Spanning 21 songs, “Weird Al’s” set at the Apollo contained 1, count it, 1, singular parody. This is no mistake. After all, Al is weird, not crazy. From the get go, “Weird Al” had gleefully announced that the tour would be a no frills occasion for die hard fans. A “Ridiculously Self-Indulgent, Ill-Advised Vanity Tour”, if you will. As such, the concert was as much a celebration of every fans youthful penchant for Al’s brand of comedy, as it was a grand recognition of “Weird Al’s” B side songwriting craft. This is fitting, as Al’s abilities as a “proper musician” are often overlooked. In addition to being a witty and wholesome jester of pop culture, “Weird Al” is also a blisteringly funny and stylistic entertainer.

Nowhere was this better demonstrated than in the first song of the evening, “Dare to be Stupid.” Originally written about, what else, acting like an idiot despite conventional wisdom, Al somehow made his song fresher and funnier 22 years later via one tweak. Rather than performing the song in its original DEVO-esque style, “Weird Al” wholly changed the tone by singing it as a Grateful Dead tribute. For fans who had heard the song thousands of times as an 80s drenched synth pop tune, the change was hilarious, while those who had never heard the song before were still treated to a musically complex and melodious comedic experience. This balance of in-joke based, yet serious musicianship continued without interruption throughout the night.

From “Dare to Be Stupid”, “Weird Al” delved into virtually unknown deeper cuts such as “Mr. Popeil” and “Nature Trail to Hell”, as well as breaking for the occasional “drum solo.” These 30 second diversions set up expectations of grand displays of skill, yet always came down to a singular hit of a cymbal or the tap of a drum head. The bit never got old. This is not to say that “Weird Al’s” band was devoid of talent. In fact, Al’s instrumental partners in crime proved to be some of the most versatile musicians I’ve ever had the pleasure of hearing. It comes at no surprise then, that I would later learn that the men playing drums, bass, guitar, and piano that night were the same people that had played drums, bass, guitar, and piano with Al for decades. The result was a symbiotic musical partnership. Al would riff and improvise, and the band would seamlessly adapt with him.

One of my favorite “Weird Al” songs, “Albuquerque” proved this point without a doubt. A sprawling 12 minute epic, “Albuquerque”, details the story of a man who wins a competition to stay at “the world famous, Albuquerque Holiday Inn (where the towels are oh so fluffy)” and the various mishaps and misfortunes that occur along the way. At one famous diversion, the central character asks a doughnut shop worker if his shop has blueberry doughnuts, raspberry doughnuts, etc.. to which the clerk responds “no, were all out of X.” In the studio recording, 6 pastries are asked for and denied. In concert, 14 were. Despite these new lyrics and impromptu responses, the band still managed to complement Al’s increasing absurdity with background solos, amusing embellishments, and a steady beat throughout.


Albuquerque” ala 14 pastries


It is a true testament to Al’s love for his audience and music that he performs, without a stutter or a hint of exhaustion, such songs. “Weird Al” is is as much invested in every part of his setlist as his fans are. No song is for artist or consumer alone. This dual sided passion energized my entire concert experience and made me feel as if I was a part of an inter-generational community. Although I may not have the excitement that pairs with the discovery of “Weird Al” that an 8 year old has, or the decades informed nostalgia of a 42 year old, I believe that I, as well as every person in the audience on March 23rd, shared an unforgettable night of the universal language… laughter.

Rating: 10/10


By Bennett Rosner

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Unknown Mortal Orchestra’s Ruban Nielson Still Sounds Lost

Check out Jordan Levy’s review of UMO’s fourth album Sex & Food. Continue reading »

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